Table Of Contents
Introductory articles
- About: what is the purpose of this study? – Permalink: http://1-1-1-1.net/IDS/?page_id=2
- Why isn’t any part of this study published in the relevant journals? – Permalink: http://1-1-1-1.net/IDS/?p=1696
- Understanding ‘pop’ or ‘popular’ music – Permalink: http://1-1-1-1.net/IDS/?p=1036
- Analytical specificities – Permalink: http://1-1-1-1.net/IDS/?p=163
- Definitions: sound image form vs time-based form – Permalink: http://1-1-1-1.net/IDS/?p=398
Vocal setups(1)
- Importance of overdubs and vocal line superpositions – Permalink: http://1-1-1-1.net/IDS/?p=939
- Vocal lines & vocal parts: fundamental definitions – Permalink: http://1-1-1-1.net/IDS/?p=139
- Definitions: 5 archetypal vocal setups – Permalink: http://1-1-1-1.net/IDS/?p=280
- Examples: simple lead vocal parts – Permalink: http://1-1-1-1.net/IDS/?p=917
- Examples: simple non-lead vocal parts – Permalink: http://1-1-1-1.net/IDS/?p=920
- Examples: composite centered lead vocal parts – Permalink: http://1-1-1-1.net/IDS/?p=334
- Examples: composite non-centered lead vocal parts – Permalink: http://1-1-1-1.net/IDS/?p=924
- Examples: composite non-centered non-lead vocal parts – Permalink: http://1-1-1-1.net/IDS/?p=927
- Definition: functional change (vocals) – Permalink: http://1-1-1-1.net/IDS/?p=385
- Definition: concertant vocals – Permalink: http://1-1-1-1.net/IDS/?p=344
- Examples: three detailed setups of concertant vocals – Permalink: http://1-1-1-1.net/IDS/?p=349
- Definition: vibes (vocals) – Permalink: http://1-1-1-1.net/IDS/?p=367
- Definition: stacks (vocals) - Permalink: http://1-1-1-1.net/IDS/?p=370
Vocal setups – vocal part layout analysis
- Definition: Square Space Units – Permalink: http://1-1-1-1.net/IDS/?p=149
- Definition: Canonical vocal setups – Permalink: http://1-1-1-1.net/IDS/?p=134
- Example: Analysis of “Bad Girl”’s vocal parts – Permalink: http://1-1-1-1.net/IDS/?p=975
- “Bad Girl”: structure – Permalink: http://1-1-1-1.net/IDS/?p=1585
- “Bad Girl”: main chart – Permalink: http://1-1-1-1.net/IDS/?p=1540
- “Bad Girl”: number of simultaneous vocal lines – Permalink: http://1-1-1-1.net/IDS/?p=1542
- “Bad Girl”: SSU density - Permalink: http://1-1-1-1.net/IDS/?p=1545
- “Bad Girl”: accents - Permalink: http://1-1-1-1.net/IDS/?p=1547
- “Bad Girl”: kick drum / vocal track relationship – Permalink: http://1-1-1-1.net/IDS/?p=1549
- “Bad Girl”: keyboard / vocal track relationship – Permalink: http://1-1-1-1.net/IDS/?p=1652
- “Bad Girl”: vocal instrumentalization – Permalink: http://1-1-1-1.net/IDS/?p=1663
- “Bad Girl”: quantitative vocal complexity – Permalink: http://1-1-1-1.net/IDS/?p=1674
- “Bad Girl”: conclusion – Permalink: http://1-1-1-1.net/IDS/?p=1552
Vocal instrumentalization
- Definition: vocal instrumentalization – Permalink: http://1-1-1-1.net/IDS/?p=47
- Examples: vocal instrumentalization techniques – Permalink: http://1-1-1-1.net/IDS/?p=13
An aspect of local sound image form: staging
Definitions
- Definition: “staging” according to Serge Lacasse – Permalink: http://1-1-1-1.net/IDS/?p=1438
- Definition: “staging” in the context of this study – Permalink: http://1-1-1-1.net/IDS/?p=22
- Definition: simple & abstract staging – Permalink: http://1-1-1-1.net/IDS/?p=31
- Definition: causal staging – Permalink: http://1-1-1-1.net/IDS/?p=37
- Definition: demonstrative staging – Permalink: http://1-1-1-1.net/IDS/?p=33
- Definition: differentiative staging – Permalink: http://1-1-1-1.net/IDS/?p=35
Examples
- Examples: simple & abstract staging – Permalink: http://1-1-1-1.net/IDS/?p=220
- Examples: causal staging – Permalink: http://1-1-1-1.net/IDS/?p=183
- Examples: demonstrative staging – Permalink: http://1-1-1-1.net/IDS/?p=227
- Examples: differentiative staging – Permalink: http://1-1-1-1.net/IDS/?p=236
An aspect of time-based form: tensions / breaks
- Definitions: tension/release patterns and elements – Permalink: http://1-1-1-1.net/IDS/?p=297
- Examples: tension elements – Permalink: http://1-1-1-1.net/IDS/?p=309
- Examples: breaks (1) - Permalink: http://1-1-1-1.net/IDS/?p=645
- Examples: breaks (2) - Permalink: http://1-1-1-1.net/IDS/?p=552
Harmonic analysis / pitch organization
- (Relative) importance of pitch - Permalink: http://1-1-1-1.net/IDS/?p=1068
- Pitch perception issues – Permalink: http://1-1-1-1.net/IDS/?p=1120
- Pitch organization systems – Permalink: http://1-1-1-1.net/IDS/?p=1076
- Chord sequencing – Permalink: http://1-1-1-1.net/IDS/?p=1135
- An analysis method: modal harmony – Permalink: http://1-1-1-1.net/IDS/?p=1107
- Another method: pattern analysis – Permalink: http://1-1-1-1.net/IDS/?p=1113
Degrees of freedom, pertinence
- Definition: degrees of freedom, pertinence – Permalink: http://1-1-1-1.net/IDS/?p=52
- Examples: non-pertinence of notes – Permalink: http://1-1-1-1.net/IDS/?p=7
- Example: key not being used as a degree of freedom – Permalink: http://1-1-1-1.net/IDS/?p=1154
- Example: pertinence of lead vocal part production – Permalink: http://1-1-1-1.net/IDS/?p=1159
- Example: pertinence of harmonic content density – Permalink: http://1-1-1-1.net/IDS/?p=1164
Dynamics(2)
- Dynamics & the loudness war – Permalink: http://1-1-1-1.net/IDS/?p=672
- Dynamics & structure (3) – Permalink: http://1-1-1-1.net/IDS/?p=705
- Dynamics: evolution over the years, distributions – Permalink: http://1-1-1-1.net/IDS/?p=747
General definitions
- Definition: acousmatic music – Permalink: http://1-1-1-1.net/IDS/?p=1183
- Definition: perceptual vs compositional – Permalink: http://1-1-1-1.net/IDS/?p=29
- Definition: causal listening – Permalink: http://1-1-1-1.net/IDS/?p=40
- Definition: reduced listening – Permalink: http://1-1-1-1.net/IDS/?p=45
- Definition: abstractization – Permalink: http://1-1-1-1.net/IDS/?p=78
- Definition: ∆I and ∆T Stereo – Permalink: http://1-1-1-1.net/IDS/?p=179
- Definition: mix differentiation – Permalink: http://1-1-1-1.net/IDS/?p=43
- Definition: autotuned – Permalink: http://1-1-1-1.net/IDS/?p=71
References
- Discography - Permalink: http://1-1-1-1.net/IDS/?p=1208
- Bibliography - Permalink: http://1-1-1-1.net/IDS/?p=1206
(1) Parts from this chapter were also written as a paper (“Archetypal vocal setups in studio-based popular music: an introduction”) presented at EIMAS [6]
(2) This chapter is covered with much more details in Sound on Sound’s September 2011 issue [24].
(3) Elements from this chapter were integrated into “Production Effect: Audio Features For Recording Technique Description and Decade Prediction”, DAFX ‘11 [7].